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Two more sponsors have come onboard to support TVBEurope’s IT Broadcast Workflow conference, taking place on Wednesday 13 June at BAFTA in central London.

Public national broadcaster invests in 22 D*AP LM4 four-channel units and 51 D*AP LM2 to comply with France’s new loudness legislation.

Twickenham Studios is to continue as a film production and audio post-production centre after the initial bid to buy the site and redevelop it for housing was blocked, writes Kevin Hilton.

London post-production company The Farm Group has completed what is being described as the biggest installation of Avid Pro Tools HDX workstations and 10 HD software in the UK, writes Kevin Hilton.

Canford has acquired cabinet and rack manufacturer Enclosure Systems (ES), its principal supplier of 19-inch racks for the last 10 years. Canford will take over manufacturing and distribution of the ES range, moving production and warehousing from Kent to the HQ in Washington, UK.

Mike Law of BCD Audio talks to Kevin Hilton about updating that stalwart of sound production, the monitoring unit, to meet the demands of new television broadcast technologies.

Radio news, like any type of journalism, is all about getting the story before any one else. While the medium can move faster than TV, it has still been slowed down by cumbersome equipment and technology. But that is changing now. Kevin Hilton looks at how the mobile phone app era is offering radio reporters new freedom.

Audio production is as much about getting usable signals from remote locations and studios as creating a beautifully balanced mix, if not more so. Kevin Hilton looks at the critical process of monitoring and what demands new media formats put on it.

Love it or hate it, ADR is firmly part of audio post-production for feature films and TV programmes. Kevin Hilton looks at the different ways to make this process more efficient and how trial and error, mixed with a bit of method acting, is still at the heart of it.