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The Live Music Bill has now passed its third reading and report stage in the House of Commons which bodes well for smaller venues in the UK, writes Paul Watson.
Allen & Heath will unveil GLD, a user-friendly, cost-effective and scalable live digital mixing system, conceptually based on the successful digital iLive series, at NAMM 2012, writes Dave Robinson.
DAS Audio's marketing director Robert Giner talks to Paul Watson about the state of Spain's live music industry and reveals his company's philosophy in moving things forward in a difficult climate...
US-based Kaltman Creations has its eye on extending its business outside of America after a successful InfoComm 2011 in Florida where its new Invisible Waves X RF analyser received plenty of attention. Dave Robinson reports...
Matt Napier has just returned from a six-month stint with Kylie on her Aphrodite tour. Although he began as a FOH engineer, he fell into monitors and has worked with a string of pop acts including Blue, Madonna, and The Spice Girls. Paul Watson talks to Napier about how his role has changed over the years...
A string of international artists descended on Cardiff’s Millennium Stadium this month to perform at Michael Forever: a tribute concert celebrating the life and music of Michael Jackson, which was broadcast live to cinemas across Europe courtesy of Red-TX. Paul Watson reports...
Stefano Carbon is FOH engineer for Italian classic pianist and composer Giovanni Allevi. Mike Clark reveals some of the mic placement techniques he deploys for the piano ace’s monumental concerts and his preferred set-up at FOH position...
